Lifeforce is a 1985 British science fiction horror film directed by Tobe Hooper, adapted by Dan O'Bannon and Don Jakoby, and starring Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, and Patrick Stewart. Based on Colin Wilson's 1976 novel The Space Vampires, the film portrays the events that unfold after a trio of humanoids in a state of suspended animation are brought to Earth after being discovered in the hold of an alien space ship by the crew of a European Space Shuttle.
Two cuts of Lifeforce were released: a 116-minute "international cut", and a 101-minute cut ordered by American distributor TriStar Pictures for the film's theatrical release in the United States.[9] Lifeforce received generally negative reviews and was a box office failure, but has since become a cult film.
The crew of the joint British and American Space Shuttle Churchill, under the command of Colonel Tom Carlsen, finds a 150-mile-long (240 km) spaceship hidden in the coma of Halley's Comet. Inside, the crew discovers hundreds of desiccated bat-like creatures and three naked humanoid bodies (two male and one female) in suspended animation within glass containers. The crew recovers a bat-alien and the three bodies and begins the return trip to Earth. During the return journey, mission control loses contact with Churchill.
A rescue mission discovers that Churchill has been gutted by fire. The crew is dead and the escape pod is missing, yet the three containers bearing the bodies remain intact. The bodies are taken to the European Space Research Centre in London. Prior to an autopsy, the female alien awakens and drains the life force from a guard. She escapes from the facility and drains other humans of their life force. The two male vampires awaken and violently attempt escape, but are apparently destroyed by grenades thrown by another guard. The guard drained by the female alien revives two hours after his death, with the ability to drain others of their life force.

The Churchill escape pod is found with Carlsen inside. He recounts the events aboard Churchill, including feeling compelled to open the female vampire's container and share his life force with her, leading to the draining of the Churchill crew's life force. He set fire to the shuttle to save Earth from the same fate and escaped in the pod. When hypnotised, it becomes clear that he has a psychic link to the female alien, and he reveals her ability to shapeshift. Carlsen and SAS Colonel Colin Caine trace her to a psychiatric hospital in Yorkshire, where they believe they have trapped her within the heavily sedated body of the hospital manager, Dr. Armstrong.
The two male vampires have survived by shapeshifting into the soldiers who killed their previous bodies, and now are infecting London's population. The female alien escapes from her sedated host and disappears. Martial law is declared as vampires multiply by absorbing the life force of humans. The life forces are channeled by the male vampires to the female vampire, who transmits the energy to their spaceship, now in geosynchronous orbit over London.
Dr. Fallada impales a male vampire with an ancient weapon of "leaded iron". He, Carlsen, and Caine surmise that the vampires have visited Earth periodically with the coming of Halley's Comet, creating the vampire legends. He passes the weapon to Caine before succumbing. Carlsen tracks the female vampire to St. Paul's Cathedral, where she is lying upon the altar, transferring energy to her spaceship. She reveals she and Carlsen are now a part of each other due to the sharing of their life forces. Caine kills the second male vampire and throws the weapon to Carlsen, who impales himself and the female alien simultaneously. A burst of energy blows open the dome of St. Paul's. The two ascend the column of energy to the spaceship, which returns to the comet as Caine watches.

Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by reanimated corpses. Although the flesh-eating monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.
Night of the Living Dead premiered in Pittsburgh on October 1, 1968. It grossed US$12 million domestically and US$18 million internationally, earning more than 250 times its budget and making it one of the most profitable film productions ever made at the time. Released shortly before the adoption of the Motion Picture Association of America rating system, the film's explicit violence and gore were considered groundbreaking, leading to controversy and negative reviews. It eventually garnered a cult following and critical acclaim and has appeared on lists of the greatest and most influential films by such outlets as Empire, The New York Times, and Total Film. Frequently identified as a touchstone in the development of the horror genre, retrospective scholarly analysis has focused on its reflection of the social and cultural changes in the United States during the 1960s, with particular attention towards the casting of Jones, an African-American, in the leading role. In 1999, the film was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.
Siblings Barbra and Johnny drive to a cemetery in rural Pennsylvania to visit their father's grave, where a pale man in a tattered suit kills Johnny and attacks Barbra. She flees to a nearby farmhouse but finds the resident's corpse lying half-eaten on the stairs. A growing horde of ghouls soon surround the house as a stranger, Ben, arrives and initially mistakes Barbra for the homeowner. After driving back several ghouls, he boards the windows and doors. While searching the home for supplies, he locates a lever-action rifle.
A nearly catatonic Barbra is surprised to find people already taking shelter in the home's cellar. Harry, his wife Helen, and their young daughter Karen fled there after a group of the same monsters overturned their car and bit Karen on the arm, leaving her seriously ill. A couple, Tom and Judy, took shelter after hearing an emergency broadcast about a series of brutal killings. Tom and Ben secure the farmhouse while Harry protests that it is unsafe aboveground before returning to the cellar. Ghouls continue to besiege the farmhouse in increasing numbers.
The refugees listen to radio and television reports of an army of cannibalistic corpses committing mass murder across the East Coast of the United States and of the posses of armed men patrolling the countryside to exterminate the living dead. Reports confirm that the ghouls can die again from heavy blows to the head, bullets to the brain, or being burned. Various rescue centers offer refuge and safety, and scientists theorize that radiation from an exploding space probe returning from Venus caused the reanimations.
Ben devises a plan to obtain medical supplies for Karen and transport the group to a rescue center by refueling his truck at a pump on the farm. Ben, Tom, and Judy drive there together, holding the ghouls off with torches and Molotov cocktails. However, the gas from the pump spills and causes the truck to catch fire and explode, killing Tom and Judy. Ben returns and breaks down the door when Harry does not let him in.
The remaining survivors attempt to figure a way out. They pause their discussion to watch the 3 a.m. news update until the power cuts out. The ghouls soon break through the doors and windows of the unlit home. In the chaos, Harry grabs Ben's gun but is disarmed and shot by Ben. Harry staggers down to the cellar and dies next to his daughter.
Karen dies from her injuries, becomes a ghoul, and eats her father's remains. She stabs her mother to death with a masonry trowel. Barbra tries to help Ben keep the ghouls out, but a reanimated Johnny drags her away. As the horde breaks in, Ben takes refuge in the cellar, where he shoots Harry's and Helen's ghouls.
In the morning, an armed posse arrives to dispatch the remaining ghouls. Awoken by their gunfire and sirens, Ben emerges from the cellar, but they shoot him, mistaking Ben for a ghoul. His body is thrown onto a bonfire and burned with the rest of the ghouls.

A true story of a man who leaves the matrix and finds the creators.
An encounter with a Dogman.
A strange encounter at the superstitious mountains.

The 1955 British horror film Three Cases of Murder was written by Sidney Carroll, Ian Dalrymple, and Donald B. Wilson, and directed by David Eady, Wendy Toye, and George More O'Ferrall. The film is an omnibus that tells three stories: "The Picture," "You Killed Elizabeth," and "Lord Mountdrago". Eamonn Andrews introduces each story, and Alan Badel appears in all three. The film also stars Orson Welles and John Gregson.
The first in this triptych of strange tales centers on a museum worker (Hugh Pryse), who discovers he can wander into the paintings he guards. Next, George (Emrys Jones) becomes rivals with a friend when they fall for the same girl (Elizabeth Sellars), but things turn dark when she turns up dead. Finally, after the powerful Lord Mountdrago (Orson Welles) ruins a politician's career during a heated debate, the ruined man (Alan Badel) seeks revenge by attacking Mountdrago in his dreams

Raw Deal is a 1948 American film noir crime film directed by Anthony Mann and starring Dennis O'Keefe, Claire Trevor and Marsha Hunt. It was shot by cinematographer John Alton with sets designed by the art director Edward L. Ilou. An independent production by Edward Small, it was distributed by Eagle-Lion Films.
Prison convict Joe Sullivan has "taken the fall" for an unspecified crime. His share for committing the crime was to be $50,000. Joe breaks out of jail with the help of his girl Pat. The escape has been facilitated by their former accomplice Rick Coyle, a sadistic mobster, who expects Joe to be killed during his escape and so avoid having to pay Joe his $50,000. When against all expectations the break-out succeeds, Rick decides that he must have Joe killed.
Pat and Joe's getaway car is damaged and Joe decides that they will hide out at his legal caseworker Ann's apartment. Ann had been visiting Joe in prison because she was trying to reform him and also because she was developing feelings for him. When the police close in on Ann's apartment she tries to convince Joe to give himself up. Instead Joe forces Ann to escape with him and Pat. Pat sees the attraction between Joe and Ann and doesn't know what to do about it. Joe finds himself between two women who love him. The three of them continue to evade the police until one of Rick's men finds them. Rick's man Fantail and Joe get into a fight and Ann saves Joe by shooting Fantail in the back. After acting in Joe's defense this way, Ann realizes how much she is in love with him. Out of loyalty to Pat, Joe sets Ann free and prepares to flee the country with Pat. In Joe and Pat's hotel room, Pat takes a phone call warning them that Rick has seized Ann and will harm her unless Joe and Pat come out of hiding. Pat does not want Joe to go back to Ann, so she lies about the call, saying it was from the hotel desk clerk asking about their checkout time.
After boarding a ship, Joe attempts to convince Pat that they can start a new life in South America together. He even proposes marriage to her. A guilt-stricken Pat now confesses to Joe that Ann has been abducted by Rick. Joe races to save Ann from her captor. Under the cover of a thick fog, Joe manages to get past Rick's henchmen and sneaks into Rick's room. A gunfight erupts with Rick and Joe shooting each other and inadvertently starting a fire. Joe and Rick, both wounded, fight hand-to-hand with Joe finally pushing Rick through an upper story window to his death. Mortally wounded and lying in the street, Joe dies in Ann's arms as Pat looks on. Seeing the resigned contentment in Joe's face, Pat comments in voice-over that: "This is right for Joe. This is what he wanted."

It's Alive! is a 1969 American monster movie directed by Larry Buchanan and distributed by American International Pictures. The story concerns a mad farmer who tries to feed a stranded couple to a dinosaur he keeps in a cave.
Norman Sterns and Leela Sterns are newlyweds who are driving from their home in New York City to Los Angeles. They become lost and run out of gas, stranding them in the rural Ozark countryside. They meet a friendly paleontologist named Wayne Thomas. Wayne suggests that they visit the nearest farm that could provide gas. The farm is run by a strange man named Greely, who tells them that the gasoline truck was supposed to arrive the previous day, but since it didn't, he expects it there any minute. Greely suggests that they go inside to the parlor, where it's cooler. On the way up to the house, he asks if they know anybody out here, in case they may be waiting for them. They say no, and when they get inside, Greely goes off to tell his "housekeeper" Bella to make some iced tea. She argues with him about what he will "do with them", but Greely smacks her, and threatens that she will "take their place" if she doesn't serve them some tea.
Thomas arrives and Greely goes outside. He tells them that their car won't start. Wayne decides to take a look at the engine and tells Greely to go back to his truck and get a tool. Greely instead beats him on the back of the head with it and drags his body off. Meanwhile, Leela appears to be worried about Greely, because he is acting strange and his eyes don't look right. She then compares his eyes to a stuffed lizard across the room. Greely comes back inside and tells them that he had to do a chore. Leela wants to go back outside, but Greely tells them that they could check out his "collection" while waiting for the truck.
He takes them out to the yard and shows them his "zoo", which includes ordinary animals like turtles, rattlesnakes, coyotes, and a bobcat. Greely then tells them that they should have a look at his "prize", which is located deep in a mountain cave system behind his home. He puts them in a small room which he claims he had set up for tourists while he goes to turn on the rest of the power. However, it was a trap, as Greely pulls a lever and drops some bars down, blocking their way out. Greely leaves the cave, laughing as Leela discovers that Thomas is inside the cell as well, badly wounded but alive. He tells them that Greely threw him into another cavern below them, and left him there, but he found a way out and crawled in the cell, right as they arrived.
Norman suggests that there may be a way out down there, and begins a descent into the cavern. A reluctant Wayne and Leela follow and discover a prehistoric, aquatic dinosaur coming out of a spring, which Greely apparently feeds live victims to. Greely catches them in the enclosure and points a pistol at them, attempting to force them down in there to be eaten. Greely shoots Wayne in the abdomen, but Wayne throws an object at Greely and hits his gun hand, causing the pistol to fall into the enclosure. Norman urges Leela to go for the gun, but Greely tells him that it won't do him any good, and leaves. Norman rushes down and gets the pistol, but suddenly the monster appears out of the water as Leela and Wayne warn him. Norman fires the gun at the creature, but it has no effect, and it kills him before he gets the chance to escape. Bella arrives and reveals that she is not Greely's housekeeper; he kidnapped her and abused her until her will was broken and she agreed to do whatever he told her to do to avoid being fed to the creature. Wayne convinces Bella to help them.
Wayne remembers that he has some dynamite in his car, and he asks Bella to sneak upstairs and bring back some of it. Greely becomes suspicious of Bella, and he drugs the coffee that she brings to the prisoners. Leela and Wayne are overcome by the drug, but not before Wayne hides the dynamite. When Wayne comes to, he retrieves it, but Greely intervenes and threatens to feed Leela to the creature if she will not willingly become his new servant. Bella, having heard that he plans to dispose of her, goes down there.
Greely recovers his pistol, but Wayne overcomes Greely and knocks him unconscious. Bella ignites the dynamite and explains to Greely that she plans to blow up the cave to kill both the dinosaur and Greely. Greely grabs his pistol and kills her, right as the monster is about to kill Greely. The dynamite explodes, collapsing the cavern and burying the dinosaur and Greely. Wayne and Leela escape in Wayne's car to an unknown future.

Jack and the Beanstalk is a 1952 American family comedy film starring the comedy team of Abbott and Costello and featuring Buddy Baer, Dorothy Ford and Barbara Brown. It is a comic retelling of the "Jack and the Beanstalk" fairy tale, produced by Abbott and Costello and distributed by Warner Bros.
Eloise Larkin and her fiancé Arthur's plans to attend the rehearsal of a play are jeopardized because no one will babysit her obnoxious kid brother Donald. Eloise phones the Cosman Employment Agency, where Mr. Dinkle and Jack are seeking work. Jack flirts with Cosman employee Polly, but he is thwarted by the arrival of her boyfriend, a towering police officer. Polly sends Dinkle and Jack to babysit, but an attempt to lull the boy to sleep by reading the fairy tale "Jack and the Beanstalk" aloud fails when Jack stumbles over the larger words. Bemused by Jack, Donald reads the story instead, a role-reversal made complete when Jack falls asleep as Donald reads. In his slumber, Jack dreams that he is the young Jack of the fairy tale.
In his dream, Jack learns that a giant who lives in a castle in the sky and has taken all of the kingdom's food as well as the crown jewels. The dire situation obliges the kingdom's princess to marry a prince from a neighboring kingdom whom she has never met. Jack must also make sacrifices. His mother sends him to sell the last family possession, their beloved cow Henry, to the local butcher, Mr. Dinklepuss. Along the way, Jack meets the prince, disguised as a troubador, who is kidnapped by the giant soon afterward. The unscrupulous Dinklepuss pays Jack five "magic" beans for the cow. Upon returning home, Jack learns that the giant has also kidnapped the princess and Henry.
Jack's mother, exasperated over the beans, tells Jack to plant them and a gigantic beanstalk grows overnight. He climbs the beanstalk to rescue everyone from the giant's clutches and retrieve Nellie, the golden-egg-laying hen that the giant had previously stolen from Jack's family. Upon learning of Nellie's existence, Dinklepuss joins Jack on the adventure. When they reach the top of the beanstalk, Jack and Dinklepuss are captured by the giant and imprisoned with the prince and princess. The princess falls for the troubador only to later learn that it is the same prince to whom she was betrothed.
The giant releases Dinklepuss and Jack from the dungeon in order to toil around his castle. They befriend his housekeeper Polly, who helps them escape over the castle wall along with the royal prisoners, Nellie and some of the giant's stolen gems (pilfered by the greedy Dinklepuss). They flee down the beanstalk with the giant in pursuit. During the descent, Dinklepuss loses Nellie (who falls into the arms of Jack's mother) and then the gems, which rain down upon the impoverished townsfolk below. Once all reach the ground, Jack chops the beanstalk, sending the giant falling to his death. The villagers rejoice by dancing around the hole left when the giant fell.
Just before being rewarded by the king for heroism, Jack is rudely awakened when Donald breaks a vase over Jack's head just as Eloise and Arthur return home from rehearsal. Jack cries out but receives a second blow to the head from Dinkle, which returns Jack to his dream state. After greeting Eloise and Arthur as their storybook counterparts, Jack dances off into the night.

Donovan's Brain is an independently made 1953 American black-and-white science fiction horror film, produced by Tom Gries for Allan Dowling Productions, directed by Felix Feist, that stars Lew Ayres, Gene Evans, Nancy Davis and Steve Brodie. The film was distributed by United Artists and is based on the 1942 horror novel Donovan's Brain by Curt Siodmak.
The story involves an attempt to keep alive the brain of millionaire megalomaniac W.H. Donovan after an otherwise fatal plane crash. The brain has other ideas and begins to possess people.
Dr. Patrick Cory and his wife Janice live in a mountain retreat where Cory attempts to keep a monkey's brain alive after having it removed from the monkey's skull.
The private plane of businessman Warren Donovan crashes near Cory's cabin, and rescuers request Cory's help. Donovan is seriously injured and not expected to live, so Cory takes the businessman's brain for experimentation. Cory manages to keep the brain alive in an electrified saline solution. After writing messages in Donovan's handwriting while he is sleeping, Cory believes Donovan's consciousness still survives and he attempts to communicate with the brain.
Gradually, Cory begins to exhibit Donovan's personality traits such as smoking cigars, using ruthless personal manipulation, and walking with a limp. Janice and Frank Schratt, Cory's friend and assistant, suspect that Donovan's consciousness is using telepathic mind control to overpower Cory's free will. In the meantime, news photographer Yocum discovers that Cory has illegally stolen Donovan's brain and demands money to keep the secret.
Donovan's brain grows increasingly powerful, using Cory to collect a financial fortune and taking control of Yocum's mind and forcing him into a fatal car crash. After realizing that Donovan can control only one person at a time, Janice and Frank plot to destroy the brain. However, Frank's plan goes wrong when Donovan forces Frank to shoot himself. Ultimately, lightning strikes the Cory home and a fire breaks out, burning Donovan's brain and bringing an end to the horror. Frank survives, and Cory willingly goes to accept the consequences for his actions, while Janice reminds the authorities that it was Patrick's idea, in a moment of freedom from Donovan's brain, to connect the ranch's lightning rod to the power supply, which resulted in the fire.

The Neanderthal Man is a 78-minute, 1953 American black-and-white science fiction film produced independently by Aubrey Wisberg and Jack Pollexfen, as Global Productions Inc., from their own original screenplay.
It starred Robert Shayne, Richard Crane and Joyce Terry, was directed by E. A. Dupont, and was originally distributed in the United States by United Artists Corp. Beverly Garland, in a supporting role, appears here in her first feature film under her new stage name (previously she went by the name of Beverly Campbell and made her screen debut as a supporting actor in the 1949 film noir classic D.O.A.).
At home in California's High Sierras, Prof. Clifford Groves hears glass breaking and looks up in fear from his book, Neanderthal Man and the Stone Age. He finds his lab window smashed and the room wrecked. The noise awakens his adult daughter Jan. Groves sends her back to bed.
Meanwhile, Mr. Wheeler spots an unusually large tiger while hunting. That night at Webb's Cafe, the locals tease him. "Three times the size of a mountain lion and got the tusks the size of an elephant- it ain't natural," says Danny. Game Warden George Oakes comes in. Wheeler leaves, and Charlie Webb tells him Wheeler's story. Driving home, a sabretooth tiger jumps onto Oakes' car. He scares it off by honking the car's horn.
Oakes and Sheriff Andy Andrews make plaster casts of the animal's footprints. Oakes takes one to Dr. Ross Harkness in Los Angeles. Oakes eventually convinces Harkness that the cast is real. Harkness says he will drive up that weekend to investigate.
When Harkness stops at Webb's, waitress Nola Mason introduces him to Ruth Marshall, who is on her way to see her fiancé, Groves, but is stranded because her car has broken down. Harkness drives her to Groves's house, where Jan tells them that Groves is in LA speaking before the Naturalist's Club.
Groves lectures the club on his theory that Neanderthal man was more intelligent than "modern man" because Neanderthals had bigger brains. The club members scoff at him and demand proof. Groves responds with insults. The chairman adjourns the meeting, telling Groves not to return. Groves angrily says to the empty room that he will show them proof if that is what they want.
Jan invites Harkness to stay at their house. Groves complains about Harkness being there at breakfast, but Ruth insists that he remain. Oakes arrives, and he and Harkness head out to look for the sabretooth. They find it and kill it, but Harkness says he fears there are others.
Back at the lab, Ruth and Groves quarrel about their deteriorating relationship. He throws her out, then injects himself with the serum he has been using to turn cats into sabretooth tigers. He reverts to the Neanderthal Man. Out in the woods, he kills hunter Jim Newcomb and his dog, then returns home and becomes Groves again. He writes in his diary that this most recent regression was the fastest yet, and the recovery was the slowest. Then he turns into the Neanderthal Man and runs off. Harkness sneaks into Groves's lab and finds photos that Groves took as he experimentally regressed Celia, his deaf-mute maid.
Buck Hastings and Nola go on a picnic, and he snaps glamour shots of her. But the Neanderthal Man kills him while Nola is behind a bush changing clothes. As she looks at Buck, dead on the ground, the Neanderthal Man carries her off, kicking and screaming.
Oakes phones Jan and says Buck has been murdered. During the call, Celia sees Nola outside. Harkness carries Nola in. She is hysterical and her clothes are torn. Buck, she says, was killed by something "not human." Then she cries, "He tried to pull me by my hair and then he ... then he ..." and collapses into tears, wailing. Jan calls Webb's, tells Webb what happened and asks him to send for the local MD, Dr. Fairchild.
Harkness shows Jan and Celia the photos of Celia being regressed to a Neanderthal Woman. Celia signs that she has no memory of it. Harkness then notices that one of the lab cats starts to yowl whenever it sees a syringe. When he injects it, it turns into a sabretooth and escapes.
Jan and Harkness read Groves' diary. He wrote that the serum works on cats, not dogs, and not fully on women but on men. They set out to find the Neanderthal Man before the State Police and Sheriff's posse can. They stop at Webb's and see that the Neanderthal Man has injured Webb. Jan says that Ruth's door has been smashed in and that she's gone. "I reckon he got her, too," says a dazed Webb.
Dr. Fairchild tells Harkness and Jan that the posse has cornered the Neanderthal Man in a cave, and Ruth is with him. Alone and unarmed, Harkness walks to the cave and tells Ruth to let the Neanderthal Man run away. He does, but a sabretooth tiger jumps him. The posse holds off shooting for a while as the Neanderthal Man is being mauled.
Now at home on his deathbed, the Neanderthal Man changes back to Groves one final time and utters his last words: "Better ... this ...way."

Gamera vs. Barugon (大怪獣決闘 ガメラ対バルゴン, Daikaijū kettō: Gamera tai Barugon, lit. 'Great Monster Duel: Gamera vs. Barugon') is a 1966 Japanese kaiju film directed by Shigeo Tanaka, with special effects by Noriaki Yuasa and Kazufumi Fujii. Produced by Daiei Film, it is the second entry in the Gamera franchise, and stars Kōjirō Hongō, Kyōko Enami, and Yūzō Hayakawa, with Teruo Aragaki as Gamera. In the film, Gamera returns to Earth to battle a reptilian monster born out of an opal brought to Japan by greedy entrepreneurs.
Due to the success of Gamera, the Giant Monster, studio president Masaichi Nagata pushed a sequel into production. Yunosaburo Saito was commissioned to write a story outline, which featured Gamera battling alien ice giants. Nagata instructed screenwriter Niisan Takahashi to write a "lavish" blockbuster and treat the monster spectacle seriously. Nagata promoted the project into an A-list production by approving a higher budget and attaching acclaimed talent. However, Yuasa, director of the previous film, was demoted to special effects director for this film. Principal photography for special effects began in January 1966 and ended in April 1966, while photography for drama scenes began in February 1966 and ended in April 1966.
Gamera vs. Barugon was theatrically released in Japan on April 17, 1966, on a double bill with Daimajin and underperformed at the Japanese box office. In 1967, it was released directly to television in the United States as War of the Monsters by American International Television. The film was followed by Gamera vs. Gyaos, released on March 15, 1967.
Six months after the events of Gamera, the Giant Monster, a meteorite collides with the Z Plan rocket and frees Gamera, who returns to Earth and attacks Kurobe Dam in Japan. Ichiro, a World War II veteran, sends Kawajiri, Onodera, and his brother Keisuke, to the island of New Guinea to retrieve an opal he once found and hid in a cave. Despite warnings from the local villagers, the trio find and locate the opal, but Kawajiri dies from a fatal scorpion sting. Keisuke is betrayed by Onodera and nearly killed. Keisuke is rescued by the locals and tells one of them, Karen, about the opal they found. Karen reveals that the alleged "opal" is not really a jewel, and convinces Keisuke to take her to Japan to retrieve it.
En route to Japan, Onodera accidentally leaves the opal exposed to an infrared light. The heat incubates the opal - revealed to be an egg - and a lizard, Barugon, hatches. Upon arriving to Kobe Harbor, the ship is suddenly destroyed. Ichiro finds Onodera, who tells him that Keisuke and Kawajiri died in the jungle. Having grown to immense size, Barugon surfaces from the harbor and proceeds to attack. While debating how to recover the opal, which he still believes to be aboard the sunken ship, Onodera inadvertently blurts out that he killed his two companions and then murders both Ichiro and his wife to cover up his crime. Barugon's rainbow ray attracts Gamera and the two battle in Osaka. However, Barugon freezes Gamera in place. Keisuke and Karen find Onodera, subdue him, and leave him tied up in his home. Keisuke and Karen suggest a plan to the defense ministry by using a huge diamond to lure Barugon into a lake to drown.
The plan fails due to the diamond's insufficient radiation. Another attempt by irradiating the diamond with additional infrared radiation almost succeeds, until Onodera interferes and steals the gem. However, both he and the diamond are devoured by Barugon. Keisuke discovers that mirrors are not affected by Barugon's rainbow ray, so the military devises a plan to reflect its own rainbow emanation back with a giant mirror. Barugon is wounded, but realizing its mistake, does not shoot another rainbow. Gamera thaws out and attacks Barugon once again. After battling, Gamera drowns Barugon in Lake Biwa, then flies away. Keisuke mourns over the events caused by his greed, believing he is now alone. However, Karen holds his hand and tells him he is not alone.

While having mechanical problems with their vehicle and stranded on the road, two people are stalked by a Dogman with nothing between them and the massive creature.
While traveling to work a lady is terrorized by the gaze of a Dogman.
A man stumbles across a portal in a national forest and steps through to an alien world.
https://youtube.com/@cosmicmind-zj2dl?si=0BvUt86Fo6io4iso

The Haunting is a 1963 horror film directed and produced by Robert Wise, adapted by Nelson Gidding from Shirley Jackson's 1959 novel The Haunting of Hill House. It stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn. The film depicts the experiences of a small group of people invited by a paranormal investigator to investigate a purportedly haunted house.
The film was released on 18 September 1963. In 2010, The Guardian newspaper ranked it as the 13th-best horror film of all time. Director Martin Scorsese has placed The Haunting first on his list of the 11 scariest horror films of all time. The Haunting was released on DVD in its original screen format with commentary in 2003, and was released on Blu-ray on 15 October 2013. The film was remade in 1999 by director Jan de Bont, starring Liam Neeson, Lili Taylor, Catherine Zeta-Jones and Owen Wilson, but that version received generally negative reviews from critics.
Dr. John Markway narrates the history of the 90-year-old Hill House, which was constructed in Massachusetts by Hugh Crain as a home for his wife. She died when her carriage crashed against a tree as she approached the house for the first time. Crain remarried, but his second wife died in the house from a fall down the stairs. Crain's daughter Abigail lived in the house for the rest of her life, never moving out of the nursery room. She died calling for her nurse-companion. The companion inherited the house, but later hanged herself from a spiral staircase in the library. Hill House was eventually inherited by Mrs. Sannerson, a distant relative of the companion, although the house had stood empty for some time.
Markway wishes to study the reported paranormal activity at Hill House and sends invitations for people to join his investigation; however, Mrs. Sannerson demands that Markway allow her heir Luke Sannerson to join. Only two other individuals accept—Theodora, a psychic, and Eleanor Lance, who experienced poltergeist activity as a child. Eleanor spent her adult life caring for her invalid mother, whose recent death has left Eleanor with severe guilt.
The group find the mansion's walls were constructed with angles askew, resulting in off-center perspectives and doors that open and close by themselves. The library contains the ramshackle spiral staircase, from which the previous owner hanged herself. During their first night in the house, Eleanor and Theo are terrified by banging sounds made against the door to Theo's bedroom, and hear menacing laughter. Luke and the doctor, however, later report the house had been silent for them. In the morning, the words "Help Eleanor Come Home" are found scrawled in a chalky substance on a wall, distressing Eleanor. The group explores the house, discovering a huge marble composite statue, supposedly of St. Francis curing lepers, which seems to echo the string of characters who have lived in the house (Hugh Crain, Abigail, and the companion), but also resemble Dr. Markway, Luke, Theo, and Eleanor.
The doctor, Luke and Theodora explore the library with the treacherous spiral staircase, but Eleanor has a severe reaction that prevents her from entering. Leaning over the veranda to look at the library's tower, she becomes dizzy and is caught by Markway, who speculates that he should send her home, but Eleanor protests, blaming the house rather than her nerves. That evening, Dr. Markway discovers a cold spot outside the nursery room. Despite all these occurrences, Eleanor feels a tentative affinity to Hill House.
That night, on Markway's insistence, Theo moves into Eleanor's room, and they fall asleep in the twin beds pushed together. Eleanor is awakened by the emphatic voice of a man speaking and a woman laughing. Fearful, Eleanor asks Theo to hold her hand and soon she feels a crushing grip. As Eleanor hears the sound of a young girl crying, she shouts at whoever is hurting the child. Theo awakens to find that Eleanor has moved from the bed to the couch, and Eleanor realizes it was not Theo's hand she held.
The following day Theo confronts Eleanor about her growing feelings for Dr. Markway, and Eleanor lashes back at Theo for being "unnatural," implying either Theo's psychic ability to know what Eleanor is thinking (such as Eleanor reacting to a sick-room smell in the library), or her attraction to Eleanor. Dr. Markway's skeptical wife Grace arrives at Hill House to warn him that a reporter has learned of his investigation there. Grace announces that she plans to join the group for the duration of the investigation, to the consternation of Eleanor, who had begun developing feelings for Markway while unaware that he was married, and demands a room in the nursery despite her husband's warning that it is likely the center of the disturbances. That night in the living room, the group experiences loud banging and an unseen intruder attempting to force its way into the room, causing the door to bulge inward. The banging moves towards etc.....

Bela Lugosi Meets a Brooklyn Gorilla (also known as The Boys from Brooklyn and in England as Monster Meets the Gorilla) is a 1952 American comedy horror science fiction film, directed by William Beaudine and starring horror veteran Bela Lugosi with nightclub performers Duke Mitchell and Sammy Petrillo in roles approximating the then-popular duo of Martin and Lewis.
In the film, two entertainers parachute out of an airplane and land on the Island of Kola Kola. They are offered hospitality by the natives, and find love interests in the local chief's daughters. Wishing to find a way out of the island, they visit a scientist's castle. The scientist is conducting experiments in evolution, using a chimpanzee as his test subject. He later conducts a similar experiment on one of the entertainers, transforming the man into a gorilla.
Jungle-dwelling natives find two long-haired bearded men dressed in frayed tuxedos asleep on the jungle floor and carry the men to their chief and his daughter who insists on protecting them. She mimes instructions that the men are to be dressed, shaven and given haircuts, all of which is done while they are still asleep. Upon waking up, the men — Duke Mitchell and Sammy Petrillo — introduce themselves to the chief's daughter Nona and recount that they were on their way "to do a show for the boys on Guam", but opened the wrong door on the plane, fell out with their parachutes and have been living on wild berries and raw fish. Nona explains that her father is Chief Rakos and "this is the most southern fringe of the Zambuanga Group — the Island of Kola Kola".
At that evening's luau, Duke establishes a closer relationship with Nona, while Sammy is introduced to Nona's overly-friendly plus-size "baby sister" Saloma, causing him to jump up, join the luau dancers and then perform a comedy routine, followed by Duke's rendition of "'Deed I Do". Afterwards, Nona tells Duke that she was educated in an American college to prepare her for ruling the island as its queen. When Duke inquires about leaving the island, Nona says, "perhaps Dr. Zabor can help you. He's the only white man on the island. He lives on the other side of the island. He's a scientist working on an experiment in evolution. He hired me as his assistant. Tomorrow I shall take you to him." In the meantime, Saloma continues to chase Sammy through the jungle and kisses him goodnight while Duke and Nona share a kiss.
The following morning, upon arriving at Dr. Zabor's Dracula-like castle, Nona, Duke and Sammy are let in by the tall, heavily-built native servant Chula who goes to inform Dr. Zabor. When Dr. Zabor comes out to greet them, Duke thinks he knows him and Sammy reminds Duke, "Ain't this the fellow that goes around with the hand and the faces, biting people on the neck and wearing capes?" "You're crazy", replies Duke, "Watch out for bats", shouts Sammy. Dr. Zabor offers to help Duke and Sammy leave the island and offers them the hospitality of his castle and the use of his wardrobe.
In the laboratory, Dr. Zabor insists to the reluctant Nona that "You shall love me" as Chula ushers in the re-dressed Duke and Sammy who become interested in Dr. Zabor's caged chimp Ramona. The castle is visited by the island's law representative, Pepe Bordo, who has the only "wireless outfit" and promises to communicate with a passing ship. As Dr. Zabor accompanies Pepe Bordo to the outside, Duke and Nona kiss while Ramona pulls Sammy into her cage and locks the door.
In the evening, Duke walks Nona back to her village, Dr. Zabor drinks and broods over Nona's reluctance and Sammy goes to bed alone, but Ramona opens her cage door, leaves the laboratory, goes upstairs and climbs into bed with Sammy who winds up spending the night with Ramona in her cage, while Duke returns and goes to bed.
On another evening Dr. Zabor and Chula arrive to share a meal with Chief Rakos, Nona, Saloma, Duke, Sammy and the witch doctor. As Nona and Duke go outside, Dr. Zabor sends Chula to spy on them, while Saloma encourages Sammy to go out so she can meet with him. As Chula listens, Duke proposes marriage to Nona and sings "Too Soon" to the melody of "La Paloma". Chula returns, Dr. Zabor puts on his black cape, leaves and listens to Chula describe Duke's and Nona's marriage plans. Back in the laboratory, Dr. Zabor injects Ramona, reversing evolution and turning her into a small monkey with a tail.
The following morning, as Nona returns to the laboratory, Dr. Zabor realizes that the serum's effect was only temporary and Ramona has turned back into a chimp. Meanwhile, Duke is on his way to see Pepe Bordo, but is ambushed by Chula who carries him to the laboratory where Dr. Zabor tells Nona that the day's work is done and that she should take Sammy to the village and after they leave, injects Duke with the serum and watches him turn into a gorilla. etc....

The Son of Dr. Jekyll is a 1951 American horror film directed by Seymour Friedman and starring Louis Hayward, Jody Lawrance and Alexander Knox.The film is a continuation of Robert Louis Stevenson's original classic 1886 novella Strange Case of Dr. Jekyll and Mr. Hyde. Jack Pollexfen, the scriptwriter of this film, wrote and produced a sequel in the same vein, Daughter of Dr. Jekyll (1957), starring Gloria Talbott. The film begins with a prologue set in 1860, where Mr. Hyde is chased down in the streets of London, after murdering his wife at their Soho flat. He escapes to the house of Dr. Jekyll, where he prepares the potion that will transform him back to the respected doctor. Unfortunately, the mob has already set the house ablaze. The flames drive Hyde to the top floor and in an attempt to leap to the ground, he meets his demise when he falls to the ground. As he dies, he changes back into Dr. Jekyll. John Utterson and Dr. Lanyon (original characters from Stevenson's novel) mourn their unfortunate friend Dr. Jekyll, until Inspector Stoddard brings the two to the Soho flat, where Jekyll/Hyde has left an orphan behind. Utterson agrees to adopt the young Jekyll, since he and his wife have not succeeded in having children. Thirty years later, Edward Jekyll, now fiancé to Utterson's niece Lynn and a student of the Royal Academy of Sciences, is expelled from the academy because of his peculiar and unorthodox experiments. Edward is unaware that he is actually Henry Jekyll's son, and when he inherits the Jekyll mansion, Dr. Lanyon tells him his father's tragic story.
Edward and Lynn move to the old Jekyll mansion for the preparations of their marriage, and soon, Edward feels unwelcome by his neighbors. Discovering his father's laboratory, Edward convinces himself to work on his father's experiments in order to clear the family name. He hires Michaels, Dr. Jekyll's old assistant, and begins researching. Unfortunately, after Edward first tests the formula on himself, a Hyde-like man appears in the house and murders a number of people. Edward is charged for the murders and, thought insane, is transferred to Dr. Lanyon's sanitarium where the murders continue. Edward begins wondering if it is he who transforms into a murderer or someone else is trying to drive him to insanity. It was shown clearly that Lanyon changed chemicals and his father's notebook to frame Edward and keep control of his estate.

Big Jake is a 1971 American Technicolor Western film starring John Wayne, Richard Boone and Maureen O'Hara. The picture was the final film for George Sherman in a directing career of more than 30 years, and Maureen O'Hara's last film with John Wayne and her last before her twenty-year retirement. The supporting cast features Patrick Wayne, Christopher Mitchum, Glenn Corbett, Jim Davis, John Agar, Harry Carey Jr. and Hank Worden.
In 1909, near the Mexico-United States border, Martha McCandles runs a massive ranch with the help of her sons Jeff, Michael, and James. The Fain Gang (The Fain Brothers, the Devries Brothers, John Goodfellow, Kid Duffy, Breed O'Brien, Pop Dawson, and Trooper) attacks the ranch, slaying many members of the staff. Jeff kills the Devries brothers but is badly wounded; his son, Jacob "Little Jake," is kidnapped before the gang flees to Mexico, leaving behind a ransom note for $1 million.
Martha places the ransom in a strongbox, and delegates from both the United States Army and the Texas Rangers offer to take the box for her. Martha decides instead to send for her estranged husband Jacob "Big Jake" McCandles, who is generally thought to be dead but is really wandering the west as a gunfighter. Jake arrives with his black Rough Collie mix, simply named "Dog," and they confer in secret about what to do with the box.
Michael McCandles arrives on a motorcycle with news he has found the kidnappers. Martha decides to allow him and his older brother James to set off with the Rangers in REO Runabouts to try to overtake the kidnappers. Jake disapproves and sets off with the box, a mule, packhorses, and his elderly Apache friend Sam Sharpnose, preferring to do things the old-fashioned way. After the kidnappers ambush the Rangers, putting the cars out of commission, Jake allows his two sons to accompany him, although relations are strained between them.
John Fain, pretending to be only a messenger boy, intercepts the group and warns them that bandits are now after the box. He tells them the gang will kill Little Jake if Big Jake (who is pretending to be a hired hand) doesn't do things exactly the gang's way. He also arranges for the exchange to take place in the town of Escondero.
On arrival, the family checks into a hotel and lays a trap for the bandits, killing them. During the attack, the strongbox is accidentally opened, revealing the money has been replaced by newspaper clippings. Both boys believe Jake has stolen the money, until Jake reminds them of the people killed and wounded by the Fain Gang and tells them that he and Martha had decided that they should not profit from it.
Pop Dawson arrives with a message to meet the gang with the money in an old fort outside town. He tells them the conditions - they are to ride together, and not try anything until after the gang has left with the money because their own sharpshooter Duffy is hidden far away with a rifle trained on Little Jake at all times. Big Jake convinces Dawson that Michael was killed by the bandits, so he, James, Sam, and Dog follow Dawson to the fort.
Fain reveals he is the ringleader and reiterates Dawson's threats. Jake throws the key to Fain while Michael gets into position atop the fort with his rifle. Just as Fain opens the chest and realizes the deception, Big Jake opens fire and kills Fain's brother Will, who is holding Little Jake. Michael takes out Duffy, Sam kills Trooper, and James shoots down Dawson and O'Brien but breaks his hand.
Fain and Big Jake find themselves both wounded and in a stalemate from behind their respective hiding places, and Big Jake tells his grandson to run to James. Goodfellow slashes Sam and Dog with his machete, killing the Indian, and pursues Little Jake into a stable, where Dog attacks Goodfellow a second time and is killed. Big Jake, out of bullets, makes a run for it and kills Goodfellow with a pitchfork in the stables.
John Fain corners the weaponless grandfather and grandson outside the stable, but Michael, having come down from his perch, shoots Fain from behind. As Fain dies, Big Jake finally reveals his true identity to him, and to Little Jake, who has never met his grandfather before. Reunited at last, the family acknowledges their renewed bond and prepares to go home.

El Dorado is a 1966 American Western film directed and produced by Howard Hawks and starring John Wayne and Robert Mitchum. Written by Leigh Brackett and loosely based on the novel The Stars in Their Courses by Harry Brown, the film is about a gunfighter who comes to the aid of an old friend who is a drunken sheriff struggling to defend a rancher and his family against another rancher trying to steal their water. The supporting cast features James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George, Adam Roarke and Jim Davis.
The film was first released in Japan on December 17, 1966 and then in the United States on June 7, 1967. The film received critical praise and was commercially successful, generating North American rentals of $5,950,000 on box-office receipts of $12 million.
Sheriff J.P. Harrah comes into the town of El Dorado to talk to his old friend, gun-for-hire Cole Thornton, who has just arrived in response to a mysterious job offer from wealthy landowner Bart Jason. Harrah reveals to Thornton that Jason is actually trying to muscle the honest MacDonald family from their land. Thornton agrees to turn down the job and rides out to Jason's ranch to tell him so.
Kevin MacDonald and his family hear about Thornton's arrival and fear the worst. The youngest son Luke is made sentry, but falls asleep at his post. As Thornton returns from his confrontation with Jason, Luke is startled awake and fires. Thornton reflexively fires back and wounds Luke in the stomach, and Luke commits suicide before Thornton can stop him, believing his wound fatal. Feeling guilty, Thornton brings the body to the farmhouse and tells Kevin what happened. The only daughter of the MacDonald clan, Joey, rides off before she can hear the truth, and shoots Thornton on his way back to town. Thornton survives, but the bullet has lodged against his spine. Local medic Doc Miller cannot remove it, so Thornton departs after healing, despite the protests of local saloon owner Maudie, who has feelings for him. Over time, the bullet in his back presses against his spine, causing bouts of temporary paralysis in his right side.
Six months later, Thornton is in a saloon out of town, having avoided El Dorado. He witnesses a naive young man, Alan Bourdillion Traherne (a.k.a. "Mississippi"), confronting and killing Charlie Hagan, who killed Mississippi's foster father, Johnny Diamond, two years earlier. Thornton steps in to save Mississippi from retaliation from Charlie's friends, Milt and Pedro. Their employer, famed gunslinger Nelse McLeod, is impressed, and offers Thornton a job in El Dorado, revealing that he has accepted Bart Jason's job offer and that Harrah became a drunk after a girl ran out on him.
Thornton refuses McLeod, and he and Mississippi return to El Dorado ahead of McLeod. They meet with Maudie and Harrah's deputy, Bull, who confirm Nelse's story. After a fistfight with the drunken Harrah, Thornton agrees to use a sobering concoction made by Mississippi to bring Harrah around, with violently effective results. Harrah, ashamed to be the laughingstock that he has become, agrees to stay sober.
After three men shoot Jared MacDonald (Kevin MacDonald's son), Thornton, Bull, Mississippi and Harrah hunt the men into an old church and gun them down. One man escapes, leading them straight to Jason, whom Harrah arrests and holds for trial. Mississippi stops Joey from killing Jason on the walk back to the jail, and the two begin a relationship.
Bull officially deputizes Mississippi and Thornton. They patrol the town to keep the peace, stopping an attempted attack by McLeod's gang on the jail, during which Harrah is hobbled by a bullet to the leg. Maudie brings them some supplies while they are holed up in the jail, and McLeod's men start harassing her and her patrons. Thornton and Mississippi go to rescue them, but Thornton suffers an attack of paralysis and is captured by McLeod. Harrah agrees to trade Jason for Thornton and leave town, despite Thornton's protests.
Jason and McLeod's men kidnap Saul MacDonald and demand that Kevin turn over his water rights for the return of his son. Rightly suspecting that Jason will kill both Saul and Kevin once he has the water rights, Thornton rides a wagon up to the front door of Jason's saloon while Harrah, Bull and Mississippi sneak in the back. Once Bull gives a signal, Thornton opens fire, killing McLeod, while the rest free Saul. Joey shoots Jason, saving Thornton from being shot and making amends for her previous mistake. Doc Miller's new assistant Dr. Donovan agrees to operate on Thornton if he stays in town, and Thornton implies that he may stop wandering to stay with Maudie.

Creature with the Atom Brain is a 1955 American zombie horror science fiction film directed by Edward L. Cahn and starring Richard Denning.American gangster Frank Buchanan (Michael Granger) forces German scientist Wilhelm Steigg to create zombies by resurrecting corpses through atomic radiation in order to exact revenge on his enemies.
Creature with the Atom Brain was released as the bottom half of a double feature with It Came from Beneath the Sea.
A hulking zombie breaks into a mansion and kills a gangster named Hennesy. The glowing bloodstains left behind at the crime scene are radioactive, as are the killer's fingerprints –which are of a man who had died days ago. The police are baffled, but begin their investigation.
They soon discover that the connection between Hennesy and subsequent murders is Frank Buchanan, a former crime boss who had been deported to Europe. While there, Buchanan funded the research of German scientist Wilhelm Steigg to reanimate the dead. Having returned (with Steigg still beholden to him for funding) to the States, Buchanan seeks revenge on all who had sent him to prison in the first place.
The putative zombies, although they move fairly slowly, obey their radio commands explicitly, have fantastic strength, and although they have no initiative can readily navigate the city and perform fairly complex tasks. They can drive, speak on behalf of Buchanan (including over the phone), are impervious to bullets, including those fired at point-blank range, and can bend steel bars and tear off steering wheels with ease. Too, they all have massive scars visible on their foreheads from their brain surgery.
Following the fantastic yet irrefutable clues under the leadership of Chet Walker, both police and army troops eventually converge on Buchanan's mansion. Buchanan summarily kills Steigg and sends out a horde of zombies to battle them. Chet Walker, who had been in overall charge of the investigation, smashes the atomic-powered equipment which controls them, rendering them useless.

The Giant Behemoth is a 1959 British-American science fiction action horror film directed by Eugène Lourié, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt. The film stars Gene Evans and André Morell. The screenplay was written by blacklisted author Daniel Lewis James (under the name "Daniel Hyatt") with director Lourié.
Originally a story about an amorphous blob of radiation, the script was changed at the distributor's insistence to a style similar to The Beast from 20,000 Fathoms (1953), though elements of the original concept remain in the early parts of the film and in the "nuclear-breathing" power of the titular monster.
Scientist Steve Karnes delivers a speech to a British scientific society, led by Professor James Bickford, about the dangers to marine life posed by nuclear testing. Before Karnes can return to the United States, a real-life example of his concern materialises when a fisherman in Looe, Cornwall is killed on the beach, and his dying word is "behemoth". Later, thousands of dead fish are washed ashore.
Karnes and Bickford travel to Cornwall to investigate the fisherman's death, and although his injuries seem to include radiation burns, they find no evidence of radiation on the beach. Then, Karnes goes to inspect a passenger ship found wrecked and badly damaged, with the loss of all on board. Back in London, the two scientists discovered that samples of the dead fish contain large amounts of radioactive contamination. Karnes begins to suspect that the "behemoth" that the fisherman described seeing is some kind of large marine animal that has mutated as a result of being contaminated by nuclear testing.
The next attack is on a farm near the coast in Essex. A photo of the area reveals a huge footprint and paleontologist Dr. Sampson identifies the creature as a Paleosaurus, an aquatic dinosaur that emits an electric pulse like an electric eel. Karnes believes that the dinosaur is saturated by radiation, which is transmitted by the electric pulse, resulting in the burns seen on the fisherman and other victims. The radiation is also slowly killing the dinosaur. According to Dr. Sampson, the dying creature will leave the ocean depths to head upstream, seeking out the shallow waters where it was born, but death by radiation may not come soon enough to prevent the creature from wreaking havoc on London along the way.
Karnes and Bickford try to persuade authorities to close the River Thames, but the military officer believes that their radar tracking systems will be enough to detect the behemoth and prevent it from getting near the city. Unfortunately, the dinosaur appears to be invisible to radar. Dr. Sampson and some other scientists spot it from a Royal Navy helicopter, but the radar equipment tracking the helicopter sees no sign of the beast, which destroys the helicopter when it gets too close. Soon, the behemoth surfaces in the Thames and capsizes the Woolwich Ferry.
Rising from the river, the creature sets the city on fire. Bickford and Karnes advise the military that the best way to kill the beast will be to administer a dose of radium, hoping to accelerate the radiation sickness that is already slowly killing it. While they prepare the dose, the behemoth continues its rampage, eventually plummeting through London Bridge back into the Thames.
Karnes and Bickford set their plan into action. An X-class submarine with Karnes on board carries a torpedo filled with radium into the Thames in pursuit of the monster. During an initial pass, the behemoth takes a bite out of the mini-sub, but Karnes convinces the submarine captain to have another go. This time, they succeed in firing the torpedo into the monster's mouth, and the behemoth roars in pain. Observers in helicopters later confirm the monster's demise.
As Karnes and Bickford climb into a car to leave the area, they hear a radio report of dead fish washing up on the eastern shores of the United States.

First Man into Space is a 1959 independently made British-American black-and-white science fiction-horror film directed by Robert Day and starring Marshall Thompson, Marla Landi, Bill Edwards, and Robert Ayres. It was produced by John Croydon, Charles F. Vetter, and Richard Gordon for Amalgamated Films and was distributed by Metro-Goldwyn-Mayer.
U. S. Navy Commander Charles "Chuck" Prescott is unsure if his brother, Lt. Dan Prescott, is the right choice for piloting the high altitude, rocket-powered Y-13. Air Force Space Command's Captain Ben Richards insists that Dan is their best pilot, even though when piloting the Y-12 in the ionosphere, he began experiencing difficulties. Dan ignored flight regulations upon landing by seeing his girlfriend rather than filing his flight report. Captain Richards, however, insists that Dan pilot the Y-13 after being checked out and briefed by Dr. Paul von Essen.
At 600,000 feet, Dan is supposed to level off the Y-13 and begin his descent, but he continues to climb, firing his emergency boost for more speed. He climbs to 1,320,000 feet (250 miles) and loses control while passing through a dense cloud of unknown material, forcing him to eject.
The New Mexico State Police report that a Mexican farmer spotted a parachute land south of Alvarado, New Mexico. Chief Wilson meets Commander Prescott near the wreckage; the automatic pilot escape mechanism and braking chute operated perfectly. An unknown rock-like material has encased the Y-13's fuselage; testing shows that it is completely impervious to X-rays, infrared, and ultraviolet light.
Later that night, a wheezing "creature" breaks into Alameda's New Mexico State Blood Bank, brutally murdering one of the blood bank's nurses; the thing then proceeds to drink vast quantities of blood. The next day, a newspaper headline reads "Terror Roams State" and tells of brutal and inhuman slaughtering of cattle on a farm next to the crash site. Both the dead cattle and the blood bank nurse show similar wounds. When Chuck and Chief Wilson examine the nurse's body, Chuck notices shiny specks around the wounds, as well as on the blood bank door. They see the same specks on the necks of the dead cattle; they also find a high-altitude oxygen lead from the Y-13.
Chuck suspects that the killings may have something to do with the crashed Y-13 and requests that Wilson send sample specks to Dr. von Essen at Aviation Medicine. The next day, test results show that they are particles of meteor dust and show no signs of structural damage from passage through the atmosphere. Later, Dr. von Essen explains the results to Chuck: Wherever the encrustation occurs on the Y-13 fuselage, the metal is intact. In places not encrusted, the metal has been transformed into a brittle, carbon-like substance, easily reduced to powder. Chuck theorizes that the covering may be some sort of "cosmic protection".
Three more killings are reported. Chuck assumes that the same covering that protected the Y-13 fuselage also coated "everything" inside the cockpit, which means that the creature behind the killings must be his brother Dan. Chuck theorizes that when the canopy burst, Dan's blood absorbed a high content of nitrogen as the protective coating quickly formed over his body, allowing him to survive. But with Dan's metabolism having been altered in space, his body and brain have now become starved of oxygen on Earth; he must now replace that oxygen by consuming any type of oxygen-enriched blood.
When Dan's coated helmet is found in a car with his latest victim, Chuck's theory is proven correct. Captain Richards and Chief Wilson put in a call to Washington. Suddenly, the hulking, wheezing, encrusted creature that was once Dan crashes through a nearby window in their building.
Chuck realizes that his brother is finding it difficult to breathe. Dan then has Dr. von Essen open the high-altitude testing chamber while he taps into the building's public address system, warning everyone to stay out of the corridors. Chuck instructs Dr. von Essen to relay directions over the system to Dan on how to find the high-altitude chamber. Dan follows the directions while Chuck follows behind.
Dan stumbles into the chamber. Chuck realizes that his brother's hands are too badly deformed for him to operate the controls, so Chuck enters the chamber to assist him. A technician quickly increases the chambers' altitude to 38,000 feet, enabling Dan to breathe more comfortably. While Chuck uses an oxygen mask, Dan's humanity is slowly restored. He has no recollection of events after he ejected from the Y-13, but, through labored breathing, says "I just had to be the first man into space". After which he collapses, breathing his last breath.

Dark Coast Radio home of Lampton and the dogman files present true encounters with vampires and discuss the paranormal and the possibilities of such things.

Salem's Lot (also known as Salem's Lot: The Movie, Salem's Lot: The Miniseries and Blood Thirst) is a 1979 American two-part vampire miniseries based on the 1975 horror novel 'Salem's Lot by Stephen King. Directed by Tobe Hooper and starring David Soul and James Mason, the plot concerns a writer who returns to his hometown and discovers that its citizens are turning into vampires. Salem's Lot combines elements of the vampire film and haunted house subgenres of horror.
After Warner Bros. acquired the rights to Salem's Lot, several filmmakers developed screenplays but none proved satisfactory. Producer Richard Kobritz decided that, due to the novel's length, Salem's Lot would work better as a television miniseries than as a feature film. He and screenwriter Paul Monash followed the general outline of King's novel but changed some elements, including turning the head vampire Kurt Barlow from a cultured human-looking villain into a speechless demonic-looking monster. With a budget of $4 million, principal photography began on July 10, 1979, in Ferndale, California.
Salem's Lot first aired on CBS in November 1979 and received positive reviews. In the years following its broadcast, it has accumulated a cult following and has had a significant impact on the vampire genre. It was followed by a 1987 theatrical sequel, A Return to Salem's Lot, directed by Larry Cohen.
At a church in Guatemala, a man and a boy, Ben Mears and Mark Petrie, are filling small bottles with holy water. When one of the bottles begins to emit an eerie supernatural glow, Mears tells Mark that "they've found us again." Knowing an evil presence is nearby, they decide to stay to fight it.
Two years earlier, Mears, a successful author, returns after a long absence to his small hometown of Salem's Lot, Maine. Mears intends to write a book about the Marsten House, an old, ominous property on a hilltop which has a reputation for being haunted. Attempting to rent it, Mears finds that it has already been purchased by another new arrival in town, the mysterious Richard Straker, who is in the process of opening an antique shop with his oft-mentioned but never present business partner, Kurt Barlow. Instead, Mears moves into a boarding house in town run by Eva Miller and develops a romantic relationship with a local woman, Susan Norton. He befriends Susan's father, Dr. Bill Norton, and reconnects with his kindly former school teacher, Jason Burke. Mears tells Burke that he feels the Marsten House is somehow inherently evil, recalling that its original owner, Hubie Marsten — implied to have been a child molester — committed suicide there. Mears further recalls a traumatic childhood incident in which he broke into the house on a dare and saw Hubie's ghost.
After a large crate is delivered to the Marsten House one night, townspeople begin to disappear or die under strange circumstances. Mears and Straker are the main suspects as they are both new in town, but it eventually becomes clear that the crate contained Straker's business partner, Kurt Barlow — an ancient vampire who has come to Salem's Lot after sending Straker to make way for his arrival. Straker kidnaps a young boy, Ralphie Glick, as an offering to Barlow, while Barlow himself causes local realtor Larry Crockett to die of fright when he appears. The Glick boy then returns as a vampire to claim his brother, Danny. After his funeral, the undead Danny infects a gravedigger, Mike Ryerson, and attempts to prey on one of his schoolfriends, Mark Petrie. However, Mark is a horror film buff and manages to repel Danny with a cross.
As the vampirism spreads, Mears, Burke, and Dr. Norton gradually realize what is happening to the town and attempt to stop it. Mears is attacked by Ralph and Danny's presumed-dead mother Marjorie Glick after she revives on a mortician's table, but Mears defends himself using a makeshift cross. Mark's parents are both killed by Barlow, though Mark escapes with the assistance of a local priest. Burke, however, suffers a severe heart attack following an encounter with the newly vampirized Ryerson.
Seeking revenge for his parents' deaths, Mark breaks into the Marsten House, and a concerned Susan follows him inside; both are soon captured by Straker. Later, Mears and Dr. Norton enter the house, too, where Straker kills Norton by impaling him on a pair of antlers before he himself is fatally shot by Mears. Afterwards, Mears and the freed Mark find Barlow's coffin in the cellar and destroy him by driving a stake through his heart. Fleeing the other vampires in the house (the infected townsfolk), the two set fire to the Marsten property as they leave, though Susan is nowhere to be found. While the house burns, the wind carries the fire towards the town itself. As he and Mark drive away from Salem's Lot, Mears comments that the fire will drive all the vampires from their hiding places and purify the town from the evil that has engulfed it. etc...

Teenagers from Outer Space (a.k.a. The Gargon Terror (UK title), The Boy from Outer Space, and originally titled The Ray Gun Terror) is a 1959 American independent black-and-white science fiction cult film released by Warner Bros. The film was produced, written and directed by Tom Graeff and stars David Love, Dawn Bender, Bryan Grant, Harvey B. Dunn, Tom Graeff and King Moody.[3][4] Teenagers from Outer Space was distributed theatrically by Warner Bros. on a double feature with Gigantis the Fire Monster, the English-dubbed version of the 1955 Japanese giant monster film Godzilla Raids Again.
In the film, a young alien named Derek abandons his crew to search for a new life on Earth, while one of his crewmates is sent to find him as they attempt to eradicate human life in order to farm Earth with giant lobster-like livestock they call Gargons.
A flying saucer arrives on Earth while searching for planets suitable to raise "Gargons", a lobster-like but air-breathing monster that is a reserve food supply on their home planet. Crewman Thor shows his alien contempt for Earth's creatures by needlessly vaporizing a dog named Sparky with a disintegrator raygun. Another crew member, named Derek, discovers an inscription on Sparky's dog tag and fears the Gargons might destroy Earth's native inhabitants. This makes the other aliens scoff at the thought. Being members of the "supreme race", they disdain "foreign beings", no matter how intelligent; they pride themselves that "families" and "friendships" are forbidden on their world. Derek reveals an ancient book and turns out to be a member of an underground rebellion, which commemorates the more humane periods of their world's history, before they became mechanized slaves.
Asking for the book, the Captain and Thor disarms Derek. Taking him as prisoner, they plan to put Derek on trial and have him executed by the high court. The Gargon they brought with them suddenly falls sick to Earth's atmosphere. While his crew members are distracted, Derek escapes on foot. Eventually, the Gargon regains consciousness. When the Captain gives his report, it is revealed that Derek is the son of the Leader of their race, although he is unaware of this. Thor is sent to hunt down Derek, with orders to bring him back alive or kill him and any other intelligent beings to protect their mission to Earth. The rest of the crew return to their home world, leaving the Gargon behind in a nearby cave.
Meanwhile, Derek arrives at the address he found on the dog's tag, where he meets Betty Morgan and her Grandpa. They have a room to rent, and Derek inadvertently becomes a boarder. When Betty's friend, reporter Joe Rogers, cannot make it to their afternoon swim at Alice Woodward's place, Derek tags along with Betty. He shows the tag to Betty, who recognizes it immediately. Derek takes her to the place where the spacecraft landed and shows her Sparky's remains. She does not believe him, so he describes Thor's weapon that can also vaporize humans. Betty takes this surprisingly well and vows to help Derek stop his crew mate.
For the rest of the day, Betty and Derek have several run-ins with Thor, who vaporizes several humans (including Alice and Professor Simpson from earlier), and Joe follows up on stories of skeletons popping up all over town. Eventually, Thor is wounded in a shootout with the police and then kidnaps both Derek and Betty to help him receive medical attention, in the process revealing Derek's true parentage to them. Two car chases and a gunfight follow, and Thor is finally captured by Earth authorities after plummeting off a cliff in a stolen car.
Shortly after, the Gargon grows immensely large after devouring a policeman investigating the alien's landing site and attacking numerous people. Derek and Betty go to the car wreck site to look for Thor's raygun. They kiss and Derek vows to stay on Earth. The Gargon suddenly appears and ruins their romantic moment but Derek finds the raygun under a rock just in time for them to escape; unfortunately, it is damaged and out of power. The giant Gargon begins heading towards the town so they follow and confront it, having used the electricity from the overhead power lines to fuel the raygun's components. Derek eventually kills the monster, but it's too late: the invading fleet appears in Earth's orbit.etc.

Riders to the Stars is a 1954 independently made American science fiction film produced by Ivan Tors Productions and released by United Artists. The film was directed by Richard Carlson (who also stars) and Herbert L. Strock (uncredited) and also stars William Lundigan, Martha Hyer, and Herbert Marshall.
Riders to the Stars is the second film in Ivan Tors' "Office of Scientific Investigation" (OSI) trilogy, which was preceded by The Magnetic Monster (1953) and followed by Gog (1954).
A group of highly qualified single men, including Dr. Richard Stanton (William Lundigan) and Dr. Jerry Lockwood (Richard Carlson), are recruited for a top secret project. They undergo a series of rigorous physical and psychological tests, during which Stanton becomes attracted to the beautiful Dr. Jane Flynn (Martha Hyer), one of the scientists testing the candidates. After most of the candidates have been eliminated from consideration, the four remaining are told about the purpose of the project.
Stanton's father, Dr. Donald Stanton (Herbert Marshall), is the man in charge. He and his colleagues are working on crewed space travel. They have found, however, that even the best quality metal alloys available eventually turn brittle in the harsh environment of outer space. Since metal-based meteors are not subject to these metal fatigue stresses, the scientists want to recover samples before they enter the Earth's atmosphere to discover how the meteors' "outer shell" protects them. To accomplish this, they need to send men into space, something that has never been done before. Stanton, Lockwood, and Walter Gordon (Robert Karnes) accept the dangerous assignment, while the fourth candidate quits.
Three one-man rockets are launched a couple of hundred miles into space in order to intercept an incoming meteor swarm. Gordon makes the first run to capture a meteor; it turns out to be too large for his spaceship's nose scoop, and the ship is destroyed in the collision that follows. Lockwood suffers a mental breakdown when his view screen shows Gordon's still space-suited but now skeletal and weightless body floating toward him. Panicked and delusional, he fires his rocket engines and blasts away from Earth, heading into deep space to his doom. Stanton then misses the main swarm, but a stray meteor crosses his orbital path. He decides to pursue it, despite a warning from ground control that he may use too much fuel in the attempt and burn up upon re-entry. Stanton snags the meteor in time and manages to survive a crash landing with the now captured meteor safely intact. He is rewarded for his heroism with a kiss from Dr. Flynn.
When the meteor is examined, it is discovered to have an outer coating of crystalline pure carbon. With this discovery, the U. S. can now build safer rockets and space stations.

The Night Walker is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch, and starring Robert Taylor, Judith Meredith, Lloyd Bochner and Barbara Stanwyck in her final theatrical film role. It follows the wife of a wealthy inventor who is plagued by increasingly disturbing nightmares, which escalate after her husband's death. It was the final black and white film made by Universal Pictures.
Irene Trent is unhappily married to a blind, pathologically possessive millionaire inventor, Howard. Howard and Irene's palatial mansion is packed with an assortment of cuckoo clocks, all in perfect synchronization, and Howard tape records all conversations in the house, hoping to catch Irene plotting an illicit liaison. Irene lives in a constant state of dread due to Howard's jealousy. Irene remains faithful to Howard, but not by choice; he never lets her leave the house and entertains no guests except his attorney, Barry Morland. Howard spends most of his time working in his upstairs laboratory on a variety of projects, the nature of which he refuses to divulge to anyone, while Irene indulges her yearnings for an extramarital affair with recurrent dreams of a fantasy lover.
Howard is killed by an explosion in the laboratory, and Irene is set to inherit the house along with Howard's entire fortune upon completion of the probate process. The charred laboratory is secured by a padlock so that no one may enter it. Irene has a nightmare in which a disfigured Howard stalks her through the house. Convinced she must leave the site of Howard's death, Irene moves back into the back-room apartment of the beauty shop she owns, which she operated prior to marrying Howard. There, she finds a confidant in Joyce, a newly hired beautician.
Irene continues dreaming of her fantasy lover. During one instance, Irene and her fantasy lover are married in front of a group of wax figure witnesses. Irene recognizes the chapel as the same one in which she and Howard were married. Howard himself then enters and is remarried to her, while the fantasy lover disappears. When she awakens, Irene is convinced this latest encounter was not a dream, and visits the now-abandoned chapel with Barry. A groundskeeper allows them inside, and Irene finds the wedding ring from her dream lying on the floor. Irene's fantasy lover watches her and Barry depart the chapel. Barry at first insists that the incident was only a dream and that Irene is losing her sanity due to Howard's death, but abruptly changes his tune and says that a private detective named George Fuller, who Howard hired to stalk Irene, could be playing the part of the fantasy lover. Later, while visiting the empty Trent home alone, Barry hears Howard's voice.
When Irene returns to the beauty shop, Joyce relays an anonymous message from George: "Pleasant dreams." Joyce is stabbed to death in the salon by a man who resembles Howard. Barry arrives at the salon and claims to Irene that Howard also attacked him. Irene and Barry drive to the Trent estate. Barry enters the house while Irene tries to call the police from a pay phone, but the line has been cut.

Hearing gunshots, Irene rushes inside and, in the wrecked laboratory, is confronted by Barry, who shows her he has been impersonating Howard using a prosthetic mask. Barry admits to causing the explosion that killed Howard after writing his own name in as the primary beneficiary in Howard's will. Being blind, Howard did not know he was signing his fortune over to Barry, and Barry plotted to keep Irene from finding out by driving her mad with staged "dreams". George blackmailed Barry for half of Howard's estate, and so became a part of the scheme. Barry attempts to kill Irene, but is shot by George in vengeance for Joyce, who was George's wife. George explains that Barry was double-crossing him to cut him out of the deal. He tries to kill Irene, since she can be a witness to his crimes. Barry, having a sudden change of heart, fights to save Irene, and the two men fall to their deaths through a gaping hole in the laboratory floor. Looking down on their corpses, Irene breaks into insane laughter.

Gog is a 1954 independently made American science fiction film produced by Ivan Tors, directed by Herbert L. Strock, and starring Richard Egan, Constance Dowling (in her final big-screen role), and Herbert Marshall. Gog was produced by Ivan Tors Productions and was filmed in Natural Vision 3D. The color process is credited to Color Corporation of America. The film was distributed by United Artists.
Gog is the third and final feature film in Ivan Tors' "Office of Scientific Investigation" (OSI) trilogy, following The Magnetic Monster (1953) and Riders to the Stars (1954).
Unaccountable, deadly malfunctions begin occurring at a top-secret government facility located under the New Mexico desert, where a space station is being constructed. Dr. David Sheppard, from the Office of Scientific Investigation (OSI) in Washington, D.C., is called in to investigate the mysterious deaths. Working with Joanna Merritt, another OSI agent already at the facility, Sheppard determines that the deaths among the laboratory's 150 top scientists are due to sabotage of the facility's Nuclear Operative Variable Automatic Computer (NOVAC), which controls and co-ordinates all the equipment in the underground facility.
It is far more difficult, however, to determine how the sabotage is being done. The unseen enemy strikes again and again, snuffing out the lives of five scientists and two human test subjects in quick succession, as well as Major Howard, the complex's Chief of Security. In addition, both Madame Elzevir (solar engineering scientist) and Dr. Peter Burden (chief atomic engineer) are attacked, but manage to survive, although both are injured.
Eventually, Sheppard determines that a powerful radio transmitter and receiver were secretly built into NOVAC during its construction in Switzerland, without the knowledge or consent of its designer, Dr. Zeitman. An enemy robot plane, whose fiberglass body does not register on radar, has been flying overhead, beaming precisely focused, ultra-high-frequency radio signals into the complex to control NOVAC's every function. The computer, in turn, controls Gog and Magog, two huge mobile robots with multiple arms, powerful gripping tools, and other implements.
Magog is finally directed to go to the complex's nuclear reactor control room and pull the safety rod out of the atomic pile, starting a chain reaction that will build to a nuclear explosion, which in turn will destroy the entire facility. Sheppard arrives in time to push the safety rod back into the pile, stopping the chain reaction. He then attacks the robot with a flame thrower and disables it, but Gog soon follows its twin to the reactor room to finish the job. Sheppard's flame thrower runs out of fuel as the robot advances on him. Dr. Van Ness arrives with another flame thrower, but the control valve sticks, and Gog now turns on him. Sheppard desperately begins using the nozzle of his flame thrower as a bludgeon, trying to smash the robot's electronic tubes. etc..