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🇺🇸 Colonel Douglas Macgregor Calls for Early Elections!
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A 1998 Documentary about the Italian Composer Giovanni Paisiello. Audio various, with English subtitles.
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini.
Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, La Pupilla and Il Mondo al Rovescio, for Bologna, and a third, Il Marchese di Tidipano, for Rome. In 1772 Paisiello began to write church music and composed a requiem for Gennara di Borbone, of the reigning dynasty. In 1776 Paisiello was invited by the empress Catherine the Great of Russia to Saint Petersburg, where he remained for eight years, producing, among other charming works, his masterpiece, Il barbiere di Siviglia, which soon attained a European reputation. The fate of this opera marks an epoch in the history of Italian art; for with it the gentle suavity cultivated by the masters of the 18th century died out to make room for the dazzling brilliance of a later period.
When, in 1816, Gioachino Rossini set a revised version of the libretto to music, under the title of Almaviva ossia la inutil precauzione the fans of Paisiello stormed the stage. Rossini's opera, now known as Il barbiere di Siviglia, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance since Paisiello himself had many years previously endeavoured to eclipse the fame of Giovanni Battista Pergolesi by resetting the libretto of his famous intermezzo, La serva padrona. Paisiello left Russia in 1784, and, after producing Il Re Teodoro at Vienna, entered the service of Ferdinand IV of Naples, where he composed many of his best operas, including Nina and La Molinara.
Paisiello is known to have composed 94 operas, which are known for their gracefully beautiful melodies. Perhaps the best-known tune he ever wrote is "Nel cor più non mi sento" from La Molinara, immortalized when Beethoven composed piano variations based on it. Paganini also wrote violin variations based on the same tune. Another favourite vocal piece is "Chi vuol la zingarella" from I zingari in fiera, which vividly portrays the scene of an attractive gypsy girl with its dramatic music. Paisiello also wrote a great deal of church music, including eight masses; as well as fifty-one instrumental compositions and many stand-alone songs. He also composed the Inno al Re, the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the British Museum by Domenico Dragonetti.
The Grove Concise Dictionary of Music notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple, direct and spirited style, latterly with sharper characterization, more colourful scoring and warmer melodies (features that influenced Mozart). His serious operas have less than the conventional amount of virtuoso vocal writing; those for Russia are the closest to Gluck's 'reform' approach.
The Bot Army Of Twitter
@GothicTherapy
Beware of the Twitter Bot Arm! 🚨🤖 In this video, we expose the dark side of automation as we dive into how these bots can flood your feed, spread misinformation, and create fake engagement. Learn the signs to spot them and protect your Twitter experience from unwanted bot interference.
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Fun little Flip Cup #shorts
𝕄𝕪 𝟛𝔻 ℙ𝕣𝕚𝕟𝕥𝕖𝕕 𝔸𝕔𝕣𝕪𝕝𝕚𝕔 ℙ𝕠𝕦𝕣𝕚𝕟𝕘 𝕋𝕠𝕠𝕝𝕤:
The 3D Printed PLA Round and Flip Cup/Mixing Cup I used in this video, are available at
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acrylicpouringtools.com
The paints I used:
FolkArt White Pearl
Pebeo Iridescent Violet Blue
Custom Metallic Teal
Custom Metallic Blue
#AcrylicPouringTools #AcrylicPourPainting #flipcup #flipcuppour #flipcuptechnique #acrylicpouring #fluidart #pourpainting #acrylicpouringforbeginners #acrylicpour #fluidartpainting #funcrafts
Thank you to Parade for sponsoring today's video! To shop Parade's summer sale and get some amazing new bras, underwear, and loungewear at a discount, head to the link https://yourparade.com/writes50, and use my code WRITES50 to save 50% on your order.
other creators to watch about this topic:
@JessieGender1 @alexander_avila @TheShipsCloset
"I Just Died in Your Arms Tonight": https://www.youtube.com/watch?v=WDq_WiRFskk
Works Cited: https://docs.google.com/document/d/18voJQvxOIa5RoZbwp-aC_WJ-3ZDwdrrQ8-xdqY9lzrM/edit?usp=sharing
timestamps:
00:00 - Introduction
8:12 - My Thesis
13:20 - What is Canon?
19:12 - Early Queer Interpretations of Star Trek
25:22 - Life & Death of the Author
28:23 - Gene Roddenberry
33:05 - Alexander the Great & Ancient Greek Allusions
37:46 - Parallelism as a Literary Device
40:26 - Theodore Sturgeon
43:38 - The Gay Subplot Timeline: Episode Breakdown
57:08 - Amok Time
1:12:35 - Episode Breakdown Continues
1:25:31 - Star Trek The Motion Picture
1:32:23 - The Infamous Footnote
1:52:07 - Star Trek Movies 1-3 Breakdown
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An acting company prepares to rehearse the play The Rules of the Game by Luigi Pirandello. As the rehearsal is about to begin, they are unexpectedly interrupted by the arrival of six strange people.
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Six Characters in Search of an Author is an Italian play by Luigi Pirandello, written and first performed in 1921. An absurdist metatheatric play about the relationship among authors, their characters, and theatre practitioners, it premiered at the Teatro Valle in Rome to a mixed reception, with shouts from the audience of "Manicomio!" ("Madhouse!") and "Incommensurabile!" ("Off the scale!"), a reaction to the play's illogical progression. Reception improved at subsequent performances, especially after Pirandello provided for the play's third edition, published in 1925, a foreword clarifying its structure and ideas.
The play was given in an English translation in the West End of London in February 1922 and had its American premiere in October of that year at the Princess Theatre, New York.
Originally Broadcast 7/27/1959
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🇺🇸 Colonel Douglas Macgregor Calls for Early Elections!
#ColonelDouglasMacgregor #JoeDementia #Obama #EarlyElections #PresidentialElection #Ukraine #Russia #NuclearWar
A 1998 Documentary about the Italian Composer Giovanni Paisiello. Audio various, with English subtitles.
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini.
Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, La Pupilla and Il Mondo al Rovescio, for Bologna, and a third, Il Marchese di Tidipano, for Rome. In 1772 Paisiello began to write church music and composed a requiem for Gennara di Borbone, of the reigning dynasty. In 1776 Paisiello was invited by the empress Catherine the Great of Russia to Saint Petersburg, where he remained for eight years, producing, among other charming works, his masterpiece, Il barbiere di Siviglia, which soon attained a European reputation. The fate of this opera marks an epoch in the history of Italian art; for with it the gentle suavity cultivated by the masters of the 18th century died out to make room for the dazzling brilliance of a later period.
When, in 1816, Gioachino Rossini set a revised version of the libretto to music, under the title of Almaviva ossia la inutil precauzione the fans of Paisiello stormed the stage. Rossini's opera, now known as Il barbiere di Siviglia, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance since Paisiello himself had many years previously endeavoured to eclipse the fame of Giovanni Battista Pergolesi by resetting the libretto of his famous intermezzo, La serva padrona. Paisiello left Russia in 1784, and, after producing Il Re Teodoro at Vienna, entered the service of Ferdinand IV of Naples, where he composed many of his best operas, including Nina and La Molinara.
Paisiello is known to have composed 94 operas, which are known for their gracefully beautiful melodies. Perhaps the best-known tune he ever wrote is "Nel cor più non mi sento" from La Molinara, immortalized when Beethoven composed piano variations based on it. Paganini also wrote violin variations based on the same tune. Another favourite vocal piece is "Chi vuol la zingarella" from I zingari in fiera, which vividly portrays the scene of an attractive gypsy girl with its dramatic music. Paisiello also wrote a great deal of church music, including eight masses; as well as fifty-one instrumental compositions and many stand-alone songs. He also composed the Inno al Re, the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the British Museum by Domenico Dragonetti.
The Grove Concise Dictionary of Music notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple, direct and spirited style, latterly with sharper characterization, more colourful scoring and warmer melodies (features that influenced Mozart). His serious operas have less than the conventional amount of virtuoso vocal writing; those for Russia are the closest to Gluck's 'reform' approach.
Die größte Verbrecher Familie der Welt (deutsch-angielskie napisy) = https://www.bitchute.com/video/Lfh6GwBvx9I7/
Nowe szablony Życia/(Lektor polski) Neue Lebensbaum-Vorlagen (Tekst Deutsch) = https://rumble.com/v51bptz-nowe-szablony-ycialektor-polskineue-lebensbaum-vorlagen-tekst-deutsch.html
Materialism asserts that the only thing that can be truly said to exist is matter.
According to this worldview, all phenomena, including consciousness, thoughts, and emotions, are the results of material interactions.
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In this episode we discuss the Music and Sounds from Tartaria and how the Tartarians used Music as a frequency for healing and optimising human health 🔴 https://youtu.be/DHbvgDHbIVo
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#tartaria #tartarian #soundfrequency #tartarianmusic #healing #soundhealing #sacredwisdompodcast
Here we look into an old 1914 dictionary for the definition of Tartaria, Tartar and other words related to this research. This video questions the narrative, considering modern observations and old-world beliefs. It is not conclusive, however, hopefully initiates further discussion.
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41 The Deonzo Brothers in their wonderful jumping act (Robert W.Paul, 1901)
42 The haunted curiosity shop (Robert W.Paul, 1901)
43 The magic sword (Robert W.Paul, 1901)
44 Scrooge, or Marley's ghost (Robert W.Paul, 1901)
45 His only pair (Robert W.Paul, 1902)
46 The extraordinary waiter (Robert W.Paul, 1902)
47 Coronation Durbar at Delhi (Robert W.Paul, 1903)
48 The Delhi Durbar (Robert W.Paul, 1903)
49 Hammerfest (Robert W.Paul, 1903)
50 Kiddies cakewalk (Robert W.Paul, 1903)
51 A chess dispute (Robert W.Paul, 1903)
52 An extraordinary cab accident (Robert W.Paul, 1903)
53 Buy your own cherries (Robert W.Paul, 1904)
54 Drat that boy (Robert W.Paul, 1904)
55 Mr Pecksniff fetches the doctor (Robert W.Paul, 1904)
56 The unfortunate policeman (Robert W.Paul, 1905)
57 Return of TRH The Prince and Princes of Wales (Robert W.Paul, 1906)
58 Aberdeen University Quarter Centenary celebrations (Robert W.Paul, 1906)
59 A lively quarter-day (Robert W.Paul, 1906)
60 Is Spiritualism a fraud (Robert W.Paul, 1906)
61 The - Motorist (Robert W.Paul, 1906)
62 Whaling afloat and ashore (Robert W.Paul, 1908)
Hello everyone. I hope you're all having a good week. Today were finishing "On the jews and their lies" Thanks everyone for the support and watching numbers this channel has seen.
The Bot Army Of Twitter
@GothicTherapy
Beware of the Twitter Bot Arm! 🚨🤖 In this video, we expose the dark side of automation as we dive into how these bots can flood your feed, spread misinformation, and create fake engagement. Learn the signs to spot them and protect your Twitter experience from unwanted bot interference.
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In the first century BC, the Roman Republic is expanding rapidly across the Mediterranean basin. As the legions venture eastward into Anatolia, the Romans are able to divide and conquer all of their enemies, except for one: Mithridates VI of Pontus, also known as the Poison King.
Mithridates is more than a mere historical figure; he’s a mythic hero, born under the sign of a shooting star and nearly murdered by his own mother before spending much of his youth in the wilderness. These details may sound made up, but truth is often stranger than fiction, and the story of Mithridates is one of the strangest ever told.
Map of Anatolia during Mithridates’ reign: https://upload.wikimedia.org/wikipedia/commons/b/b0/Asia_Minor_in_the_Greco-Roman_period_-_general_map_-_regions_and_main_settlements.jpg
My Interview with Sean McFadden of Deep Noetics: https://www.youtube.com/watch?v=eecCdz7cbug
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Music credit: Sergey Cheremisinov - Black Swan
SOURCES:
Appian: https://www.livius.org/sources/content/appian/appian-the-mithridatic-wars/
Cassius Dio: https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Cassius_Dio/home.html
Justin: https://www.attalus.org/translate/justin6.html#37.1
Livy: https://oll.libertyfund.org/titles/baker-the-history-of-rome-vol-6 (Livy’s work on Mithridates is lost. Only a summary remains.)
Philip Matyszak, Mithridates the Great, Rome’s Indomitable Enemy: https://www.everand.co..
This is chapter 17 of my novel Another World's Fairy Tale 3: The Dark Mage. We get a little insight into the lives of Yako Squadron after the events of Another World's Fairy 2: Paved with Good Intentions and a bit into the lives of the upper echelons of Kitsune society.
Who Censored Roger Rabbit? is a fantasy mystery novel written by Gary K. Wolf in 1981. It was later adapted by Disney and Amblin Entertainment into the critically acclaimed 1988 film Who Framed Roger Rabbit.
Become the artist you’ve always dreamed of at Tisch Academy! Click here and get a 7 day FREE TRIAL: https://tisch.academy/
The OIL PAINT I use:
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In this video Andrew Tischler demonstrates artistic license to take his painting into a new zone, and improve the composition!
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The Jack Benny Program was a hit on radio and TV for more than 3 decades. Jack's show is generally regarded as a high-water mark in 20th-century American comedy.
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Jack Benny – played himself. Protagonist of the show, Benny is a comic, vain, penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly.
Eddie Anderson – Rochester Van Jones, Jack's valet and chauffeur. Early in the show's run, he often talked of gambling or going out with women. Later on, he generally complained about his salary.
Don Wilson – Himself. Don generally opened the show and also did the commercials. He was the target of Jack's jokes, mostly about his weight.
Gene McNulty – Dennis Day, a vocalist perpetually in his 20s (by the time of the last television series, McNulty was 49 years old). He was sweet but not very bright. When called upon, he could use a wide variety of accents, which was especially useful in plays. He usually sang a song about 10 minutes into the program. If the episode was a flashback to a previous time, a ruse would be used such as Dennis singing his song for Jack so he could hear it before the show. McNulty adopted the name "Dennis Day" as his stage name for the rest of his career.
Sadie Marks – Mary Livingstone, a sarcastic comic foil whose varying roles all served as, to use the description of Fred Allen, "a girl to insult (Jack)." Marks, who in real life was Benny's wife, later legally changed her name to "Mary Livingstone" in response to the character's popularity. Her role on the program was reduced in the 1950s due to ..
Kluczowy ton rytmu = https://www.bitchute.com/video/XoPKCUmDgBPH/
Odezwa do Episkopatu = https://www.bitchute.com/video/2bxgO8dIoPfC/
Twoje klejnoty = https://www.bitchute.com/video/GFYGOYGVbvxK/
Na wodzie czy pod = https://www.bitchute.com/video/pm621N8d5AHr/
Jeff Rense with Wolfgang Halbig on Questions about Sandy Hook! (The Truth is hard to swallow!)
President Trump just started a TikTok account https://www.bitchute.com/video/WjbUwzf7C1oG/
UFC 302: Makhachev vs. Poirier https://www.bitchute.com/video/ThGllLEAoKvn/
Kevin Holland immediately jumps the fence after winning his fight to pay his respects to our favorite President 🇺🇸 https://www.bitchute.com/video/WHZZiV9Wk1h2/
Vincent Oshana did this and it’s brilliant https://www.bitchute.com/video/LnUCv3yOawhC/
The Big Fuckin' Mistake https://www.bitchute.com/video/Bj5fD6baoCd5/
Ukrainian army launched a massive attack on the Crimean bridge with 10 (!) ATACMS missiles but the assault was repelled. https://www.bitchute.com/video/mwq7nmIGB7vn/
NEWS FROM THE WEST SIDE OF THE POND
https://www.bitchute.com/video/p5CoqKbI3MZe/
Pond News Part 1 https://www.bitchute.com/video/bmWWnrlhEyZL/
Pond News Part 2 https://www.bitchute.com/video/7uKkD0U4yq8v/
TRUMP FOUND GUILTY https://www.bitchute.com/video/crXw1D63qcUt/
The real verdict will be on November 5th by THE PEOPLE—they know what happened here https://www.bitchute.com/video/Oos5O7xuihqQ/
TRUMP LAWYER Todd Blanche 5:11 "he is president" TRUMP https://www.bitchute.com/video/mwdnPPB8DnUW/
⚡ LIGHTNING ⚡ Lightning Strikes Empire State Building Multiple Times ⚡
https://www.bitchute.com/video/VaIHg1sARgzw/
#FLATEARTH #FAKE #ECLIPSE https://www.bitchute.com/video/J4kkoMVtIXhW/
President Trump Full Speech https://www.bitchute.com/video/ONoPxHBQWyWF/
🐀One Bullet Goes Through 2 Rats 🐀
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QURRENT EVENTS June 1, 2022
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🦟 People reporting that a helicopter flew over AFRAM in Baltimore, Maryland & released mosquitos 🦟
https://www.bitchute.com/video/lwJm7FhEqVs8/
NEWS FROM THE WEST SIDE OF THE POND
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'IM NOT TALKIN TO YOU NIGGAS, IM TALKING TO MY BLACK FOLK' TRUMP SPEECH TIK TOK https://www.bitchute.com/video/PlX5VE0En3X2/
TAXPAYER FUNDED SATANIC RITUALS: What the actual fuck are Arizona Republicans doing here https://www.bitchute.com/video/MQ3dDVVjaXTo/
We Will Rock You - #ScottysCousinFilms
https://www.bitchute.com/video/Kvn7Xc2VlhPg/
The Aliens 👽 are here in Saudi Arabia 🇦🇪🇦🇪🇦🇪
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THE CHAMP
https://www.bitchute.com/video/SHLvRkt2E8G3/
ANTOINE TUCKER RIGHTEOUS FURY
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WTF TRUMP TRIAL https://www.bitchute.com/video/GE9xgbZ9r2Hv
A 1998 Documentary about the Italian Composer Giovanni Paisiello. Audio various, with English subtitles.
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini.
Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, La Pupilla and Il Mondo al Rovescio, for Bologna, and a third, Il Marchese di Tidipano, for Rome. In 1772 Paisiello began to write church music and composed a requiem for Gennara di Borbone, of the reigning dynasty. In 1776 Paisiello was invited by the empress Catherine the Great of Russia to Saint Petersburg, where he remained for eight years, producing, among other charming works, his masterpiece, Il barbiere di Siviglia, which soon attained a European reputation. The fate of this opera marks an epoch in the history of Italian art; for with it the gentle suavity cultivated by the masters of the 18th century died out to make room for the dazzling brilliance of a later period.
When, in 1816, Gioachino Rossini set a revised version of the libretto to music, under the title of Almaviva ossia la inutil precauzione the fans of Paisiello stormed the stage. Rossini's opera, now known as Il barbiere di Siviglia, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance since Paisiello himself had many years previously endeavoured to eclipse the fame of Giovanni Battista Pergolesi by resetting the libretto of his famous intermezzo, La serva padrona. Paisiello left Russia in 1784, and, after producing Il Re Teodoro at Vienna, entered the service of Ferdinand IV of Naples, where he composed many of his best operas, including Nina and La Molinara.
Paisiello is known to have composed 94 operas, which are known for their gracefully beautiful melodies. Perhaps the best-known tune he ever wrote is "Nel cor più non mi sento" from La Molinara, immortalized when Beethoven composed piano variations based on it. Paganini also wrote violin variations based on the same tune. Another favourite vocal piece is "Chi vuol la zingarella" from I zingari in fiera, which vividly portrays the scene of an attractive gypsy girl with its dramatic music. Paisiello also wrote a great deal of church music, including eight masses; as well as fifty-one instrumental compositions and many stand-alone songs. He also composed the Inno al Re, the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the British Museum by Domenico Dragonetti.
The Grove Concise Dictionary of Music notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple, direct and spirited style, latterly with sharper characterization, more colourful scoring and warmer melodies (features that influenced Mozart). His serious operas have less than the conventional amount of virtuoso vocal writing; those for Russia are the closest to Gluck's 'reform' approach.
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Materialism asserts that the only thing that can be truly said to exist is matter.
According to this worldview, all phenomena, including consciousness, thoughts, and emotions, are the results of material interactions.
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La voici, ma première chanson humoristique ! J'ai eu le plaisir de suivre une formation à l'École Nationale de l'Humour de Montréal avec Mario Bélanger. Après bien des difficultés et des échecs, j'ai réussi à trouver ma voix musicale, et Monsieur Bonheur a trouvé sa place dans le monde de l'humour Stand-Up. J'espère que vous l'aimerez, j'ai eu beaucoup de plaisir à la composer pour vous.
On est tous un peu fou
Et nous on s’en fout
Soit un loup un filou
Un voyou sans tabou
On est tous un peu fou
1-
Quand j’écoute les nouvelles
C’est la guerre en Israël
Donald Trump est aux États
On est ti bin au Canada
Mais Y’ - z’annonce un aut’ virus
C’est ti bin à cause des Russes?
Faut s’refaire vacciner
Même mon chat sera masqué
2-
Réchauffement climatique
Faut des voitures électriques
Moi j’préfère le cheval
J’irai vivre à Laval
Si jamais tu prend l’avion
C’est bin d’trop d’pollution
Faut payer la taxe carbone
Mes vacances sont à Terrebonne
3-
L’téléphone nous espionnent
Et nous brule les neurones
Attention a la 5-G
Ils veulent tous nous ploguer
J’ai posté sur mon tik tok
Toute les choses qui me choquent
Si tu veux pas me liker
J’répond Hashtag tu me fait chier
4-
Alors j’éteins mon ordi
J'arrête toutes ces conneries
J’ai envie de retrouver
Les amies qu'j’ai oubliés
Si l’amour est dans ton coeur
Et qu’tu respires le bonheur
Lève ton verre on s’pète la broue
Parcqu’on est tous un peu fou
Guy Giard Monsieur Bonheur On est tous un peu fou, avec paroles 2024
Chanson humoriste: "On est tous un peu fou"
Guy Giard Auteur-compositeur-interprète
Paroles et musiques ©guygiard.com
We discuss the Tartaria, Incubator Babies and the Orphan Trains in the 1800s, were these genetic clones ? https://youtu.be/M8x6_DEbA4M
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#tartaria #incubatorbabies #clones #oldworld #cloning #orphantrains
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